![]() ![]() Arri Alexa raw files for example, will always be debayered into Log-C using Arri Wide Gamut. Some raw formats offer more settings choices while others offer less. The process is similar for other raw files from other manufactures. In the same way, if we are using raw files from a different camera, for example Blackmagic Design, we would use the appropriate settings. What should we do if we are using RED’s raw footage but we want to interpret it in one of the legacy formats, for example DragonColor2 in REDLogFilm? In that case, we would simply define the Project Settings in the Camera RAW tab of DaVinci Resolve accordingly. So far we have covered the process of exporting still frames from RED’s raw footage interpreted as REDWideGamutRGB in Log3G10. Right click any of the selected frames to export them all at once. This will select all of the still between the first and last still frame. To do so, simply hold Shift key and click on the first still that you want to export and while still holding the Shift key click on the last still to export. ![]() You can export several stills at once in DaVinci Resolve. ![]() Please see this document for more information. In this case, that would be ‘REDWideGamutRGB Log3G10’ for Input Device Transform, and your Output Device Transform should match the calibration point of your monitor. When you load this image in fylm.ai, you should use the appropriate Input and Output Device Transforms. The still frame is now exported and ready to be used in fylm.ai. We suggest using JPG files for a good combination of image size and quality. In the dialog that opens, select the location for the export and the desired image format. Right click the image in Gallery and select the Export option. We recommend creating at least one still frame per shot. Repeat the process to create more still frames. Your still frame will be added to Gallery. Right click the image to grab a still from the clip. Now our RED raw files are interpreted as REDWideGamutRGB Log3G10 files. Basically it’s up to you to choose the values you would like to use here, but for RED files we recommend using the following settings:Īt the bottom of that dialog, under Use Camera Metadata, make sure you select the checkboxes to read the settings from the raw file. The most important ones are under Project Settings category. This option will open up a lot of different selections to choose from. After we setup DaVinci Resolve for ACES colour managed workflow, raw files will automatically be debayered by DaVinci Resolve into ACES resulting in a normal looking image.Ĭlick on Project Settings and go to Camera RAW.Īs we are using RED raw files, in the drop down menu select RED. This is important for exporting still frames only. Let’s make sure we interpret all of our raw files correctly first. r3d footage and still frames which have been interpreted as DragonColor2 REDLogFilm (simulating a log ProRes files). It is often easier to select the appropriate export settings while using DaVinci YRGB colour science, especially for raw footage.Using this image in fylm.ai may limit your creative decisions in some cases. If you select an Input and Output Device Transforms when setting up ACES colour management in DaVinci Resolve, you will end up with a normalised image.However, sometimes it may be advisable to do so only after you have exported the still frames for usage in fylm.ai. Make sure you use the same ACES Input and Output Transforms in fylm.ai as the ones you will be using in your DaVinci Resolve projectĪs fylm.ai is an ACES colour managed application, we strongly suggest setting up DaVinci Resolve for ACES colour managed workflow.if possible and not a normalised image (like Rec709) It is best exporting a frame in log format like Log-C, S-Log3, REDLogFilm, etc.There are a few rules of thumb for exporting a still frame for use in fylm.ai. Therefore, before you begin creating looks in fylm.ai, it is advisable to have your footage organised in DaVinci Resolve.Įxporting the still frames correctly is important as it will make your workflow in fylm.ai easier and consequentially your entire colour grading process. Even if you are creating a show look to be used during principal shooting, you will do so after you have shot some test footage. Your colour grading process will usually begin once your edit is locked in place. ![]()
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